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Solo Classics Performance Series...

 

 

 

 

 

"Charming...Children will be captivated!"
-The New York Times

 

Shore Theatre Group presents Greg Oliver Bodine in A Christmas Carol, a one-man, stage adaptation of Charles Dickens classic holiday tale. This play is being offered as part of NSTG's  Solo Classics Performance Series. It is staged with minimal set and lighting effects and lasts approximately one hour.  Suitable for adults and for children (ages 8 and up). Perfect for the holiday season!  Directed by Shana Solomon.  Touring theaters, festivals, libraries, historic hotels, colleges & schools in NY, NJ, CT and PA.  Nov. 29 - Dec. 21, 2017. 

 

 

 

To view the promotional trailer on YouTube, click here

 

 

 

 

 

BOOKED

 

OPEN

 

November 2017

 

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December 2017

 

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For booking inquiries (including pricing and availability) on this show, please contact us: info@nstg.org / (516) 922.3897

 

 

 

The Play

 

This one-act, one-hour, solo stage adaptation of A Christmas Carol is enacted by Dickens himself, and is based on a condensed version of the novel that he used while on the second of his historic reading tours of the United States.

 

 

 

 

 

The Story


Through an unexpected turn of events, Charles Dickens' American Reading Tour in 1867 is off to a 'rough' start. However, Mr. Dickens -- always the consummate showman -- triumphantly proclaims that he will deliver what he has promised to present! By changes of voice, gesture and expression, he peoples the stage with a throng of characters from his classic Christmas tale and recreates, with improvised wit and charm, the familiar journey of Ebenezer Scrooge -- an embittered, lonely, old miser, who (with the help of three spirits) finds a second chance to become a generous, caring human being. What sets this fresh, new adaptation apart is its ability to rely on the power of the text -- shared simply, directly and intimately through great storytelling.

 

 

 

The Novel 

 

I have endeavoured in this Ghostly little book, to raise the Ghost of an Idea, which shall not put my readers out of humor with themselves, with each other, with the season, or with me. May it haunt their houses pleasantly, and no one wish to lay it.


Their faithful Friend and Servant,

C.D., December, 1843

 

 

 

Dickens began writing his "Little Carol" in October, 1843 finishing it by the end of November in time to be published for Christmas. Feuding with his publishers, Dickens financed the publishing of the book himself, ordering lavish binding, gilt edging, and hand-colored illustrations and then setting the price at five shillings so that everyone could afford it. This combination resulted in disappointingly low profits despite high sales. In the first few days of its release, the book sold six thousand copies and its popularity continued to grow. The first and best of his Christmas Books, A Christmas Carol has become a Christmas tradition and easily Dickens' best known book. (1)


 


 

Dickens: The Public Readings


Charles Dickens' public readings were dramatic, hypnotic and hugely popular. As well as being one of our greatest novelists, Dickens developed a new, composite art form in his stage performances – acting out specially adapted passages from his own works and varying his expressions and speech patterns, so that it seemed as if he were becoming possessed by the characters he created. His reading tours won him huge popular acclaim on both sides of the Atlantic.

 

 

 

 


Why did Dickens take his show on the road?

His first public readings in 1853 were for charity. Soon, though, the offers of payment were coming in, and Dickens, always with an eye for the business opportunity, was tempted. The lure of public performance proved too much, and the author turned professional in 1858. His American readings alone, from December 1867 to April 1868, earned him over 19,000, a colossal sum at the time; it was certainly more than he was earning from his published works. (2)
 

The performances initially included: A Christmas Carol, The Chimes, and Cricket on the Hearth. Later, Dickens incorporated scenes from Dombey and Son, Nicholas Nickleby, Pickwick Papers, Martin Chuzzlewit, and his favorite -- David Copperfield. He tightened the narrative and wrote stage directions to himself in the margins. Dickens' biographer, Edgar Johnson, on the public readings:
"It was more than a reading; it was an extraordinary exhibition of acting ...without a single prop or bit of costume, by changes of voice, by gesture, by vocal expression, Dickens peopled his stage with a throng of characters." (3)


Charles Dickens' American Reading Tour, 1867-1868


In 1867, Charles Dickens embarked on his second reading tour of the United States, arriving in Boston by steamer on Tuesday, November 19th. The original plan called for a visit to Chicago and as far west as St. Louis. Because of ill-health and bad weather, this idea was scrapped and he did not venture from the eastern states, staying five months and giving 76 performances. (4)
 

REFERENCES


Perdue, David, The Novels: A Christmas Carol, David Perdue's Charles Dickens Page.
Shinn, Matt, Dickens - the Pop Star, - The Age.
Perdue, David, Dickens On Stage: Dickens' Public Readings, David Perdue's Charles Dickens Page.
Perdue, David, Dickens In America, David Perdue's Charles Dickens Page.

 

 


 

 

 

 

 

 

 

Greg Oliver Bodine*  is an actor and writer who has performed his  critically acclaimed, solo adaptation of Charles Dickens' A Christmas Carol at theaters, libraries, colleges and high schools since 2003.  Notable venues include: Hobart & William Smith Colleges, Tyndale House Publishers in Chicago, Byers' Choice in PA, Westfield-On-Weekends in MA, Piping Rock Club, John Drew Theater at Guild Hall on Long Island and in NYC at Manhattan Theatre Source.  Greg has also worked as a Nassau / Suffolk BOCES-registered Theatre Teaching Artist in the Long Island School Partnership Program with Tilles Center for the Performing Arts in Brookville, NY.   For more biographical info on Greg, please click here or visit his website at www.gregoliverbodine.com.

 

Shana Solomon (Director) For complete bio, please click here

 

 * Member of Actors' Equity Association,

 

 


 

 

Reviews & Testimonials

 

NYTheatre Voices Cyber-Interview

 

Related links


 

Other shows in the Solo Classics Series:

 

Frankenstein

 

Poe, Times Two

 

The Yellow Wallpaper

 

Dark Soundings